31 actions: Crosstraining for Teaching myself to love
On my 31st birthday I did a 5.5 hr long performance above the BART station at 16th and Mission in San Francisco. A few weeks in advance, I asked my community to send me, via email or text, actions that took less than 20 mins to complete based on the concept of "Teaching Myself to Love". I performed/interpreted 31 of the suggestions for actions I received in the order in which I received them, starting at 11:11 am on 11-11-09.
Dream Net
Dream Net with Suki Tawdry for Pow!Pow! Action Performance Art Festival, at the Climate Theater September 2009
Ecstatic Cerulean Bearded Seamales
A mermaid performance ritual collaboration with Lian Amaris. Our gift to Annie and Beth as they married the sea at the Society of Fear Pavillion at the Venice
Bienalle. Photos by Gigi Gatewood, Mark J. Snyder, and Graham Bell
Bait/Hitch
with Lula Mae Day for Art of Restraint at Femina Potens, May 2009.
Bait/Hitch was an interactive mutating ambient performance art piece performed by Sadie Lune with Lula Mae Day. The piece explored issues of consent, unspoken social boundaries, trust, marriage, sexual secrets and intimacy. “Bait/Hitch” was performed at Art of Restraint, an Erotic Rope Bondage Art Salon at Femina Potens Gallery in San Francisco.
Liberation
collaboration with Bast for Art of Restraint at Femina Potens, February 2009
photos: Gretchen Robinette, 2009
Cervical Show and Tell
The Cider House, Balitmore
January 2009
An homage to Annie Sprinkle’s "Public Cervix Announcement", I’ve been performing my "Cervical Show and Tell" internationally for 8 years. This performance marked the first to include souvenir photo ops with the audience, including Pee-wee Herman and newly inaugurated President Obama, of course.
White Whore’s Milk Bath
designed by Sadie Lune, part of the Final Performance of La Pocha Nostra’s International Performance Intensive Workshop, January 17, 2009, Tucson, AZ
La Pocha Nostra’s International Performance Intensive Workshop is a two week intensive for artist to learn the methodology of La Pocha Nostra and practice deep investigations into trust, imagery, and collaboration.
In January 2009, I attended the intensive held in Tucson, AZ, and these photos are from our final collaborative performance which was open to the public. Interactivity was encouraged.
The piece I designed was entitled “White Whore’s Milk Bath” and engaged spectators by offering them cups of milk laced with rosewater and cinnamon from the tub in which I was bathing which sat amidst an installation of items associated with domesticity and femininity: rose petals, wire hangers, silver ladles, tampons, mirrors, etc. Collaborators:, Megan Cox, Sarah Smith, and Lula Mae Day, acted on various points of a power structure- being ritually disrobed and bathed with flowers, serving the spectators milk from silver trays, dousing each other forcibly…In the end the “audience” was stuck with me, frantically scrubbing my increasingly disheveled body and then ladling milk into cups and holding them out to be taken, frozen with a extensive eye contact in a nonverbal plea. If someone took a cup I would appear grateful to be relieved of the burden but immediately hurry back into the ritual of scrubbing and ladling. If no one took the cup from me I remained frozen and eye-begging until they did.
I WANT YOU
September 11, 2008
SFMOMA
photos: Aimee Friberg
“Tony Labat’s I WANT YOU auditions resulted in 33 selected participants, who performed and competed in the Phyllis Wattis Theater on September 11, for a shot at having their image and their slogan chosen I WANT YOU posters Tony will plaster around town between now and the November 4 elections. The Audience Voted, scantron style! and five winners were chosen …. Veronica Klaus and her boom boom boys kept the magic going; poet, activist, and Youth Speaks program director Jason Mateo emceed.”
My piece promoted rights and compassion for sex workers as well as Prop K, a ballot initiative to decriminalize prostitution in San Francisco. blog.sfmoma.org/2008/10/i-want-you-sadie -lune/
Green Kink
@ Beth Stephens and Annie Sprinkles’ Green Wedding
May 17, 2008
The Green Wedding was the fourth wedding for Beth Stephens and Annie Sprinkle, part of a 7 year performance art project wherein they are wed at least once a year with a theme and color that corresponds to one of the majoy chakras. The Green Wedding was their ‘coming out’ as Ecosexuals- they married not only each other but the earth. I performed Green Kink, a comedic piece about the earth as Dominatrix with Lady Monster and Jess Young.
www.loveartlab.org
“Madame Moustache” in Sex on Wheels, Historic Sex Workers of San Francisco Bike Tour
July 27, 2007
SEX ON WHEELS: A cultural history bike tour of San Francisco’s sex industry
by Jennifer Worley, presented in conjunction with the San Francisco Bicycle Coalition and in the San Francisco Sex Worker Festival 2007
The bike ride won’t kick your ass, but the docents might! Sex on Wheels invites you to encounter a cast of radical activists, gender-bending hustlers, red-hot call-girls, and other colorful (or *corrupt*) real-life characters, on this special public bike tour of SF’s legendary Barbary Coast. Find out which SF streets are named for gold-rush era madams; which radical feminist (and would-be assassin) once hooked and hustled in the Tenderloin; and which world-famous prostitutes’ rights activist rode a bike to work — all the while, joining in the spectacle of public life, and staking a claim to public space.










































































































































































































